The Candy Snatchers DVD - Classic 1970s Crime Thriller Movie - Perfect for Movie Nights & Vintage Film Collections
The Candy Snatchers DVD - Classic 1970s Crime Thriller Movie - Perfect for Movie Nights & Vintage Film CollectionsThe Candy Snatchers DVD - Classic 1970s Crime Thriller Movie - Perfect for Movie Nights & Vintage Film Collections

The Candy Snatchers DVD - Classic 1970s Crime Thriller Movie - Perfect for Movie Nights & Vintage Film Collections

$10.98 $19.97 -45%

Delivery & Return:Free shipping on all orders over $50

Estimated Delivery:7-15 days international

People:30 people viewing this product right now!

Easy Returns:Enjoy hassle-free returns within 30 days!

Payment:Secure checkout

SKU:92372157

Guranteed safe checkout
amex
paypal
discover
mastercard
visa

Product Description

Review A long-lost gem -- esplatter.comCULT CLASH highly recommends The Candy Snatchers and the other great cult films newly restored on DVD from Subversive Cinema! -- http://cultclash.777mb.comSubversive Cinema's DVD release of The Candy Snatchers gives the film its first home video release in grand style -- http://www.dvdtalk.comThe release of The Candy Snatchers by Subversive Cinema is, so far, the best DVD release of the year. -- http://freaksoftheindustrydvd.blogspot.comA transcendent slice of low-budget nihilism, better shot and acted than Last House on the Left -- The Los Angeles City Beat

Customer Reviews

****** - Verified Buyer

I've always been partial to obscure, oddball films from the 1970s and the feature The Candy Snatchers (1973) certainly fits the bill, especially in terms of the former since it's never had an official home video release in any format until now. Written by Bryan Gindoff (Hard Times) and directed by Guerdon Trueblood, whose credits primarily consist of writing on such television films as The Savage Bees (1976) and Tarantulas: The Deadly Cargo (1977), The Candy Snatchers features former playmate (April '72) Tiffany Bolling (Bonnie's Kids, Kingdom of the Spiders), Ben Piazza (The Bad News Bears), Susan Sennett (Big Bad Mama), Brad David ("Diary of a Teenage Hitchhiker"), and Vince Martorano (Cornbread, Earl and Me). Also appearing is Bonnie Boland ("Chico and the Man"), Dolores Dorn (Underworld U.S.A.), Phyllis Major, one time wife to singer Jackson Browne prior to her 1976 death by overdose, and Christopher Trueblood, son of the director (he's listed in the end credits only as `Christophe').As the film begins we witness a trio of amateur criminals, two men and a woman, in a funky van grabbing a Catholic school girl named Candy (Sennett) off the street and driving her into the hills of southern California. After binding, gagging, and blindfolding the girl, the trio proceeds to bury her in a box in the ground, with a small pipe protruding for air, near an abandoned cabin in which they've since taken residence. The three sociopaths are comprised of the following...an attractive blonde woman named Jessie (Bolling), who seems to be the leader, her stringy, switchblade wielding brother Alan (David), and a dopey looking ox/army veteran named Eddie (Martorano). Anyway, after they leave a doofy looking blonde kid named Sean, who happens to be mute, appears from the shrubs, apparently having witnessed the burial proceedings, and start messing around with the air pipe, even dropping pieces of food down the hole, but is soon called away by his weirdo mother (Boland) ringing an obnoxious cowbell (Sean and his parents live down the hill apiece). Alright, so now we begin to learn something of the kidnappers plans...seems Candy's father, Avery (Piazza) manages a jewelry store and the plan is to hold the girl hostage until pops pays them off with scads of jewels and such. Thing is, Avery doesn't seem all that concerned when he finds out what's happened, even to the point where he lies to his drunky wife about why their daughter hasn't returned home (given the fact Avery's wife is soused quite often she's easy to manipulate). Turns out Avery's got a chippie on the side (he's snogging an employee, played by Major), and for reasons which I won't reveal here, he's actually glad of what's happened so far. The kidnappers are suitably perturbed, believing they're not being taken seriously, and decide to up the ante, but given their overall ineptness, things continually go afoul. Eventually tensions (and paranoia) within the group push those involved further and further over the edge, forcing more drastic (and depraved) actions to follow...The Candy Snatchers is one hell of an odd film, certainly not for everyone, but I sure enjoyed it...the kidnappers themselves come off pretty goofy, given their ineptitude, almost to the point of appearing like comical villains often depicted in some of the Disney live action films of the 1970s, except for the fact here they're homicidal sociopaths willing to resort to extreme violence to get what they want. Here they've spent an extensive amount of time planning what they believe to be the perfect crime, the kidnapping of a diamond dealer's daughter, and guess what? The guy doesn't even care...seriously, in his eyes, given his situation, it actually fits in with his plans. That's the main plot of the film, but there's secondary element thrown in that often includes some rather bizarre sequences involving the little mute boy Sean, played by the director's son. The kid, who appeared to have albino qualities, runs about with a scraggy white mop top, sometimes trying to communicate what he's witnessed, often ending up on the receiving end of some kind of punishment from his seriously wacked out mother (at one point she's so frustrated with the child she forces him to take a downer). My favorite scene is when the kid, trying to use the phone to call the authorities to help Candy, ends up calling a Jewish deli, apparently in New York. Since the kid can't talk, he tries to use a talking doll with a pull string on its back to communicate with the old man who answers, to which the man thinks it's all a prank by some punk and tells the caller to shove a salami up his ash. The real strength in this film was it's unpredictable, off the wall nature as the story featured a number of various twists that kept me guessing. I thought the performances were decent enough, although Ms. Bolling seemed to be the standout. The direction was tight (even if some aspects of the story weren't), and kept me thoroughly engaged (the finale was a real hoot). While this isn't a slick feature (the production values were minimal), it still looks decent enough. There is some strong violence throughout (including a couple of forcible violations, some gunshot wounds, beatings, etc.), so if you're squeamish towards that kind of thing, then this probably isn't the film for you. For the rest, enjoy a curious edgy, sleazy, sometimes rough nugget of exploitation that's rarely been seen in thirty years. By the way, this film is worth checking out if only to see the hilarious sequence where the gang tries to liberate a telephone company van from a lone worker (the worker turns out to be an uncooperative handful).The picture, restored and presented in widescreen (1.85:1) format, enhanced for 16X9 TVs, looks excellent and the audio, available in both Dolby Digital stereo remix and original mono comes across crystal clear, so you all can chuck those old bootlegs you've been clinging to over the years. As far as extras on this Subversive Cinema DVD release, there's quite a few including a commentary track with stars Tiffany Bolling and Susan Sennett, moderated by Norman Hill, the producer of the DVD and Marc Eduard Heuck, a promotional still gallery, a featurette titled The Women of Candy Snatchers (31:53), extensive cast and crew bios, three 5x7 reproduction lobby cards, a nifty poster reproduction of some European artwork for the film, and various trailers including two for this film (one for the PG rated version and another for the R rated version), Freakmaker aka The Mutations (1974), Metal Skin (1994), Battlefield Baseball (2003), and The Witch Who Came from the Sea (1976). I have to say, I've purchased a number of Subversive Cinema's DVD releases and I've always been impressed with their superior efforts. Their releases may seem a bit pricey, but I've always felt I've gotten my money's worth.Cookieman108Speaking of obscure cinematic gems from the 1970s I'd like to see Subversive release another Tiffany Bolling drive-in feature favorite titled Bonnie's Kids (1973), as it's another film that's languished out of the public eye for far too long.